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DTSTART;TZID=America/Los_Angeles:20170925T090000
DTEND;TZID=America/Los_Angeles:20170925T190000
DTSTAMP:20260803T124903
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006660-1506330000-1506366000@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-09-25/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170925T100000
DTEND;TZID=America/Los_Angeles:20170925T140000
DTSTAMP:20260803T124903
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006593-1506333600-1506348000@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-09-25/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
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GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170925T153000
DTEND;TZID=America/Los_Angeles:20170925T163000
DTSTAMP:20260803T124903
CREATED:20170831T231721Z
LAST-MODIFIED:20170831T231721Z
UID:10006297-1506353400-1506357000@www.cypresscollege.edu
SUMMARY:TAG Workshops
DESCRIPTION:TAG (Transfer Admission Guarantee) is a free\, quick and easy way to determine if a student is eligible for admission to a specific college or university. A TAG secures a seat at a selected college or university\, provided that the student meets the conditions specified in the agreement. \nTAGS are available for the following schools only:\n~UC Davis~UC Irvine\n~UC Merced~UC Riverside\n~UC Santa Barbara~UC Santa Cruz \nTAG Workshops are held in the Transfer Center. You can sign up to 30 days in advance. SEATING IS LIMITED. Sign up here: http://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\n2nd Floor Student Center; (714) 484-7129\nFall Office Hours: Monday & Thursday 8 a.m.-6 .p.m.;\nTuesday & Wednesday 8 a.m.-7 .p.m.; & Friday 8 a.m.-5 .p.m.
URL:https://www.cypresscollege.edu/event/tag-workshops/2017-09-25/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170926
DTEND;VALUE=DATE:20170927
DTSTAMP:20260803T124903
CREATED:20170829T163529Z
LAST-MODIFIED:20170829T165518Z
UID:10006529-1506384000-1506470399@www.cypresscollege.edu
SUMMARY:Special Elections
DESCRIPTION:Special Elections is an AS Event where student leaders who are involved with the Associated Students can be voted into an E-board\, activity coordinators\, or senator position. There are currently 2 Open positions on the E-board\, 11 Activity coordinator and 11 senator positions. \nStudents can also exercise their right to vote at this event by voting for their student representatives and receiving FREE  Popcorn!
URL:https://www.cypresscollege.edu/event/special-elections/
LOCATION:CA
CATEGORIES:Associated Students
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170926T090000
DTEND;TZID=America/Los_Angeles:20170926T190000
DTSTAMP:20260803T124903
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006661-1506416400-1506452400@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-09-26/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170926T100000
DTEND;TZID=America/Los_Angeles:20170926T140000
DTSTAMP:20260803T124903
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006594-1506420000-1506434400@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-09-26/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170926T100000
DTEND;TZID=America/Los_Angeles:20170926T140000
DTSTAMP:20260803T124903
CREATED:20170905T230745Z
LAST-MODIFIED:20170905T230745Z
UID:10006646-1506420000-1506434400@www.cypresscollege.edu
SUMMARY:Transfer Tuesdays
DESCRIPTION:Today’s Transfer Tuesday is happening in the Fine Arts lobby!
URL:https://www.cypresscollege.edu/event/transfer-tuesdays-3/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170926T113000
DTEND;TZID=America/Los_Angeles:20170926T133000
DTSTAMP:20260803T124903
CREATED:20170829T163327Z
LAST-MODIFIED:20170906T174515Z
UID:10006527-1506425400-1506432600@www.cypresscollege.edu
SUMMARY:Club Rush
DESCRIPTION:Club Rush is an event that helps Chargers get involved! All Cypress College Clubs are out by the pond looking for new recruitments. Students can join multiple clubs  to add beneficial fun into their college schedule. Students can take initiative by stepping out of their comfort zone and experiencing new things that the  college has to offer -Networking\, mentorship\, and outside-the-classroom experiences can truly come a long way in your future and lead to even more opportunities while gaining life long friendships. Club rush is a chance to leave your mark here at Cypress College and also grab some  FREE PIZZA! \n*This event was originally scheduled for Tuesday\, September 19 and Wednesday\, September 20.
URL:https://www.cypresscollege.edu/event/club-rush-3/2017-09-26/
LOCATION:CA
CATEGORIES:Associated Students
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170926T150000
DTEND;TZID=America/Los_Angeles:20170926T150000
DTSTAMP:20260803T124903
CREATED:20170815T184933Z
LAST-MODIFIED:20170815T185628Z
UID:10006457-1506438000-1506438000@www.cypresscollege.edu
SUMMARY:Men's Soccer vs. San Diego Mesa
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/mens-soccer-vs-san-diego-mesa/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/mens-soccer.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T090000
DTEND;TZID=America/Los_Angeles:20170927T150000
DTSTAMP:20260803T124903
CREATED:20170719T200551Z
LAST-MODIFIED:20170824T030633Z
UID:10006198-1506502800-1506524400@www.cypresscollege.edu
SUMMARY:UCLA Advisor Appointments
DESCRIPTION:You may sign-up 30 days in advance. Appointments will be held in the Transfer Center. \nAvailable dates:\nSept. 27th (Wed) 9am-3pm\nOct. 10th (Tues) 9am-3pm\nOct. 23rd (Mon) 9am-3pm\nNov. 13th (Mon) 9am-3pm\nNov. 27th (Mon) 9am-3pm\nDec. 5th (Tues) 9am-3pm \nFor more information:\nCypress College Transfer Center\n2nd Floor Student Center\, (714) 484-7129\nOffice Hours: Mon & Thurs 8 a.m. – 6 p.m.\, Tues & Wed 8 a.m. – 7 p.m.\, Fri 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/ucla-advisor-appointments-2/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T090000
DTEND;TZID=America/Los_Angeles:20170927T190000
DTSTAMP:20260803T124903
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006662-1506502800-1506538800@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-09-27/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T100000
DTEND;TZID=America/Los_Angeles:20170927T113000
DTSTAMP:20260803T124903
CREATED:20170801T152200Z
LAST-MODIFIED:20170824T030624Z
UID:10006422-1506506400-1506511800@www.cypresscollege.edu
SUMMARY:Federal Direct Loan Workshop
DESCRIPTION:Students who request Federal Direct Loans (Subsidized and Unsubsidized) at Cypress College must meet the loan eligibility and satisfactory academic progress (SAP) requirements established by the Financial Aid Office. \nLoan Eligibility Policy \nSatisfactory Academic Progress (SAP) Policy \nSign up for an in-person Loan Workshop!\nSignups must be done at least 24 hours in advance and in-person at the Cypress College Financial Aid Office (1st Floor of the CCCPLX Building). You must bring a picture ID with you. Cypress College strongly encourages all borrowers to attend. \nPlan to arrive 10 minutes early to sign in.
URL:https://www.cypresscollege.edu/event/federal-direct-loan-workshop-4/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Financial Aid,Workshop
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T100000
DTEND;TZID=America/Los_Angeles:20170927T130000
DTSTAMP:20260803T124903
CREATED:20170719T203216Z
LAST-MODIFIED:20170824T030616Z
UID:10006412-1506506400-1506517200@www.cypresscollege.edu
SUMMARY:Hope International University Table Visit
DESCRIPTION:The table visits will take place in front of CCCPLX. No appointment is necessary. \nAvailable Dates:\nWed\, 9/27 10:00 am-1:00 pm\nWed\, 10/25 10:00 am-1:00 pm\nWed\, 11/8 10:00 am-1:00 pm\nWed\, 12/6 10:00 am-1:00 pm \nFor more information:\nCypress College Transfer Center\n2nd Floor Student Center\, (714) 484-7129\nOffice Hours: Mon & Thurs 8 a.m. – 6 p.m.\, Tues & Wed 8 a.m. – 7 p.m.\, Fri 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/hope-international-university-table-visit-2/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T100000
DTEND;TZID=America/Los_Angeles:20170927T140000
DTSTAMP:20260803T124903
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006595-1506506400-1506520800@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-09-27/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T113000
DTEND;TZID=America/Los_Angeles:20170927T133000
DTSTAMP:20260803T124903
CREATED:20170829T163327Z
LAST-MODIFIED:20170906T174515Z
UID:10006528-1506511800-1506519000@www.cypresscollege.edu
SUMMARY:Club Rush
DESCRIPTION:Club Rush is an event that helps Chargers get involved! All Cypress College Clubs are out by the pond looking for new recruitments. Students can join multiple clubs  to add beneficial fun into their college schedule. Students can take initiative by stepping out of their comfort zone and experiencing new things that the  college has to offer -Networking\, mentorship\, and outside-the-classroom experiences can truly come a long way in your future and lead to even more opportunities while gaining life long friendships. Club rush is a chance to leave your mark here at Cypress College and also grab some  FREE PIZZA! \n*This event was originally scheduled for Tuesday\, September 19 and Wednesday\, September 20.
URL:https://www.cypresscollege.edu/event/club-rush-3/2017-09-27/
LOCATION:CA
CATEGORIES:Associated Students
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T140000
DTEND;TZID=America/Los_Angeles:20170927T150000
DTSTAMP:20260803T124903
CREATED:20170918T182641Z
LAST-MODIFIED:20170918T182641Z
UID:10006775-1506520800-1506524400@www.cypresscollege.edu
SUMMARY:Honors Program Reading & Discussion
DESCRIPTION:The Cypress College Art Gallery will host weekly events on Wednesdays\, from 2-3 p.m.\, throughout the run of the DIS…MISS exhibition (Sept 14-Nov 9\, 2017). These events will include workshops\, performances\, panel discussions\, readings\, and artist lectures addressing a variety of issues related to gender inequality. They will be hosted by students and faculty from a variety of programs\, clubs\, and departments across campus. \nLocation: Cypress College Art Gallery
URL:https://www.cypresscollege.edu/event/honors-program-reading-discussion/
LOCATION:CA
CATEGORIES:Art,Honors Program,Readings
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T150000
DTEND;TZID=America/Los_Angeles:20170927T150000
DTSTAMP:20260803T124903
CREATED:20170816T001553Z
LAST-MODIFIED:20170816T001553Z
UID:10006493-1506524400-1506524400@www.cypresscollege.edu
SUMMARY:Women's Water Polo vs. Santa Ana
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-water-polo-vs-santa-ana/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-waterpolo.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T160000
DTEND;TZID=America/Los_Angeles:20170927T170000
DTSTAMP:20260803T124903
CREATED:20170905T170755Z
LAST-MODIFIED:20171013T235602Z
UID:10006302-1506528000-1506531600@www.cypresscollege.edu
SUMMARY:Open Office Hours with President Schilling
DESCRIPTION:Our new president\, Dr. JoAnna Schilling\, is holding open office hours for students\, faculty\, and staff. Her office is in CCCPLX 328.
URL:https://www.cypresscollege.edu/event/open-office-hours-with-president-schilling/2017-09-27/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:President Open Hours
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170927T180000
DTEND;TZID=America/Los_Angeles:20170927T180000
DTSTAMP:20260803T124903
CREATED:20170815T234512Z
LAST-MODIFIED:20170815T234512Z
UID:10006480-1506535200-1506535200@www.cypresscollege.edu
SUMMARY:Women's Volleyball vs. Santiago Canyon
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-volleyball-vs-santiago-canyon/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-volleyball.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170928T090000
DTEND;TZID=America/Los_Angeles:20170928T190000
DTSTAMP:20260803T124903
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006663-1506589200-1506625200@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-09-28/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170928T100000
DTEND;TZID=America/Los_Angeles:20170928T140000
DTSTAMP:20260803T124903
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006596-1506592800-1506607200@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-09-28/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170928T120000
DTEND;TZID=America/Los_Angeles:20170928T130000
DTSTAMP:20260803T124903
CREATED:20170925T192432Z
LAST-MODIFIED:20170925T192432Z
UID:10006792-1506600000-1506603600@www.cypresscollege.edu
SUMMARY:Cypress Bistro
DESCRIPTION:Cypress Bistro is a Cypress College student-operated restaurant. Students combine their classroom knowledge with hands-on experience to provide trending cuisine and outstanding service. \nSouthern\nSeptember 28 \nLouisiana\nOctober 5 \nTexas Buffet\nOctober 12 \nOktoberfest\nOctober 26 \nCalifornia\nNovember 2 \nPacific Northwest\nNovember 9 \nHawaii\nNovember 16 \nPhilippines\nNovember 30 \nMediterranean\nDecember 7 \nLunch is served from 12:00 to 1:00 PM\, last seating is at 12:15\, and consists of a three course meal and includes choice of appetizer\, entrée and dessert for $13.00; beverages are an additional $2.00. Cypress Bistro accepts cash only. \nTo create the optimal learning environment for student success\, we prefer parties not larger than 4 guests and do not accommodate to go orders. For reservations\, please email your full name and phone number to Tracey Heine\, theine@nocccd.edu  If your plans change\, please cancel within 24 hours to allow guests on our wait list to enjoy. \nLocated at NOCCCD Anaheim Campus 1830 W. Romneya Drive\, Anaheim.
URL:https://www.cypresscollege.edu/event/cypress-bistro/2017-09-28/
LOCATION:CA
CATEGORIES:Cypress Bistro
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/appetizer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170929
DTEND;VALUE=DATE:20170930
DTSTAMP:20260803T124903
CREATED:20170801T165906Z
LAST-MODIFIED:20170801T165906Z
UID:10006233-1506643200-1506729599@www.cypresscollege.edu
SUMMARY:Last Day to File Pass/No Pass Grading Option Forms
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/last-day-to-file-passno-pass-grading-option-forms/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Important Dates to Remember
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170929T090000
DTEND;TZID=America/Los_Angeles:20170929T190000
DTSTAMP:20260803T124903
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006664-1506675600-1506711600@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-09-29/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170929T100000
DTEND;TZID=America/Los_Angeles:20170929T140000
DTSTAMP:20260803T124903
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006597-1506679200-1506693600@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-09-29/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170929T150000
DTEND;TZID=America/Los_Angeles:20170929T150000
DTSTAMP:20260803T124903
CREATED:20170815T232449Z
LAST-MODIFIED:20170815T232449Z
UID:10006465-1506697200-1506697200@www.cypresscollege.edu
SUMMARY:Women's Soccer vs. Irvine Valley
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-soccer-vs-irvine-valley/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-soccer.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170930
DTEND;VALUE=DATE:20171001
DTSTAMP:20260803T124903
CREATED:20170914T232647Z
LAST-MODIFIED:20170914T232647Z
UID:10006703-1506729600-1506815999@www.cypresscollege.edu
SUMMARY:TAG Application Deadline
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/tag-application-deadline/
LOCATION:CA
CATEGORIES:Important Dates to Remember,Transfer Center
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171001
DTEND;VALUE=DATE:20171002
DTSTAMP:20260803T124903
CREATED:20170817T153648Z
LAST-MODIFIED:20170817T153648Z
UID:10006267-1506816000-1506902399@www.cypresscollege.edu
SUMMARY:Fall 2018 CSU Applications Open
DESCRIPTION:Apply to the CSU system with the following link: www.calstate.edu/apply
URL:https://www.cypresscollege.edu/event/fall-2018-csu-applications-open/
LOCATION:CA
CATEGORIES:Important Dates to Remember
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171002
DTEND;VALUE=DATE:20171003
DTSTAMP:20260803T124903
CREATED:20170829T164304Z
LAST-MODIFIED:20171002T224857Z
UID:10006534-1506902400-1506988799@www.cypresscollege.edu
SUMMARY:Foundation Golf Tournament
DESCRIPTION:This event is a chance to Volunteer to work  at the Foundation golf tournament where golf participants donate for future scholarships .It will be at the Huntington Beach SeaCliff Golf course (6501 Palm Ave\, Huntington Beach\, CA 92648).
URL:https://www.cypresscollege.edu/event/foundation-golf-tournament/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Associated Students
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171002T090000
DTEND;TZID=America/Los_Angeles:20171002T190000
DTSTAMP:20260803T124903
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006665-1506934800-1506970800@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-02/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
END:VCALENDAR