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X-ORIGINAL-URL:https://www.cypresscollege.edu
X-WR-CALDESC:Events for Cypress College
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170930
DTEND;VALUE=DATE:20171001
DTSTAMP:20260803T115322
CREATED:20170914T232647Z
LAST-MODIFIED:20170914T232647Z
UID:10006703-1506729600-1506815999@www.cypresscollege.edu
SUMMARY:TAG Application Deadline
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/tag-application-deadline/
LOCATION:CA
CATEGORIES:Important Dates to Remember,Transfer Center
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171001
DTEND;VALUE=DATE:20171002
DTSTAMP:20260803T115322
CREATED:20170817T153648Z
LAST-MODIFIED:20170817T153648Z
UID:10006267-1506816000-1506902399@www.cypresscollege.edu
SUMMARY:Fall 2018 CSU Applications Open
DESCRIPTION:Apply to the CSU system with the following link: www.calstate.edu/apply
URL:https://www.cypresscollege.edu/event/fall-2018-csu-applications-open/
LOCATION:CA
CATEGORIES:Important Dates to Remember
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171002
DTEND;VALUE=DATE:20171003
DTSTAMP:20260803T115322
CREATED:20170829T164304Z
LAST-MODIFIED:20171002T224857Z
UID:10006534-1506902400-1506988799@www.cypresscollege.edu
SUMMARY:Foundation Golf Tournament
DESCRIPTION:This event is a chance to Volunteer to work  at the Foundation golf tournament where golf participants donate for future scholarships .It will be at the Huntington Beach SeaCliff Golf course (6501 Palm Ave\, Huntington Beach\, CA 92648).
URL:https://www.cypresscollege.edu/event/foundation-golf-tournament/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Associated Students
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171002T090000
DTEND;TZID=America/Los_Angeles:20171002T190000
DTSTAMP:20260803T115322
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006665-1506934800-1506970800@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-02/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171002T100000
DTEND;TZID=America/Los_Angeles:20171002T140000
DTSTAMP:20260803T115322
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006598-1506938400-1506952800@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-02/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171002T120000
DTEND;TZID=America/Los_Angeles:20171002T150000
DTSTAMP:20260803T115322
CREATED:20170817T153151Z
LAST-MODIFIED:20170824T030603Z
UID:10006498-1506945600-1506956400@www.cypresscollege.edu
SUMMARY:UCI Advisor Appointments
DESCRIPTION:The UCI CalTeach advisor appointments are for future math and science teachers only. \nAppointments will be held in the Transfer Center. You may sign up 30 days in advance. \nTransfer Center\n2nd Floor Student Center\n714-484-7129\nOffice hours: Monday & Thursday 8 a.m. – 6 p.m.\, Tuesday & Wednesday 8 a.m. – 7 p.m.\, Friday 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/uci-advisor-appointments-2/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T080000
DTEND;TZID=America/Los_Angeles:20171003T090000
DTSTAMP:20260803T115322
CREATED:20170905T170755Z
LAST-MODIFIED:20171013T235602Z
UID:10006303-1507017600-1507021200@www.cypresscollege.edu
SUMMARY:Open Office Hours with President Schilling
DESCRIPTION:Our new president\, Dr. JoAnna Schilling\, is holding open office hours for students\, faculty\, and staff. Her office is in CCCPLX 328.
URL:https://www.cypresscollege.edu/event/open-office-hours-with-president-schilling/2017-10-03/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:President Open Hours
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T090000
DTEND;TZID=America/Los_Angeles:20171003T190000
DTSTAMP:20260803T115322
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006666-1507021200-1507057200@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-03/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T100000
DTEND;TZID=America/Los_Angeles:20171003T130000
DTSTAMP:20260803T115322
CREATED:20170829T170549Z
LAST-MODIFIED:20170829T170549Z
UID:10006546-1507024800-1507035600@www.cypresscollege.edu
SUMMARY:SCHEC Transfer Fair
DESCRIPTION:Location: under the Piazza near CCCPLX and Theater Arts building
URL:https://www.cypresscollege.edu/event/schec-transfer-fair/
LOCATION:CA
CATEGORIES:Transfer Center
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T100000
DTEND;TZID=America/Los_Angeles:20171003T140000
DTSTAMP:20260803T115322
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006599-1507024800-1507039200@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-03/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T123000
DTEND;TZID=America/Los_Angeles:20171003T133000
DTSTAMP:20260803T115322
CREATED:20170915T170138Z
LAST-MODIFIED:20170915T170138Z
UID:10006719-1507033800-1507037400@www.cypresscollege.edu
SUMMARY:UC Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/uc-application-workshops/2017-10-03/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T150000
DTEND;TZID=America/Los_Angeles:20171003T150000
DTSTAMP:20260803T115322
CREATED:20170815T230030Z
LAST-MODIFIED:20170815T230030Z
UID:10006458-1507042800-1507042800@www.cypresscollege.edu
SUMMARY:Men's Soccer vs. Orange Coast
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/mens-soccer-vs-orange-coast/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/mens-soccer.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T090000
DTEND;TZID=America/Los_Angeles:20171004T190000
DTSTAMP:20260803T115322
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006667-1507107600-1507143600@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-04/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T100000
DTEND;TZID=America/Los_Angeles:20171004T140000
DTSTAMP:20260803T115322
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006600-1507111200-1507125600@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-04/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T100000
DTEND;TZID=America/Los_Angeles:20171004T160000
DTSTAMP:20260803T115322
CREATED:20170829T163626Z
LAST-MODIFIED:20170927T225629Z
UID:10006530-1507111200-1507132800@www.cypresscollege.edu
SUMMARY:Blood Drive
DESCRIPTION:Associated Students has teamed up with Cedars-Sinai to give students the opportunity to save lives! Come donate a pint of blood and receive a free t-shirt or coupon for Baskin Robbins ice cream.
URL:https://www.cypresscollege.edu/event/blood-drive-2/2017-10-04/
LOCATION:CA
CATEGORIES:Associated Students
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/Blood-Drive-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T140000
DTEND;TZID=America/Los_Angeles:20171004T150000
DTSTAMP:20260803T115322
CREATED:20170918T182747Z
LAST-MODIFIED:20170918T182747Z
UID:10006777-1507125600-1507129200@www.cypresscollege.edu
SUMMARY:Art History Program Presentation
DESCRIPTION:The Cypress College Art Gallery will host weekly events on Wednesdays\, from 2-3 p.m.\, throughout the run of the DIS…MISS exhibition (Sept 14-Nov 9\, 2017). These events will include workshops\, performances\, panel discussions\, readings\, and artist lectures addressing a variety of issues related to gender inequality. They will be hosted by students and faculty from a variety of programs\, clubs\, and departments across campus. \nLocation: Cypress College Art Gallery
URL:https://www.cypresscollege.edu/event/art-history-program-presentation/
LOCATION:CA
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T150000
DTEND;TZID=America/Los_Angeles:20171004T150000
DTSTAMP:20260803T115322
CREATED:20170816T001753Z
LAST-MODIFIED:20170816T001753Z
UID:10006494-1507129200-1507129200@www.cypresscollege.edu
SUMMARY:Women's Water Polo vs. Riverside
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-water-polo-vs-riverside/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-waterpolo.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T170000
DTEND;TZID=America/Los_Angeles:20171004T170000
DTSTAMP:20260803T115322
CREATED:20170605T171052Z
LAST-MODIFIED:20170824T030550Z
UID:10006356-1507136400-1507136400@www.cypresscollege.edu
SUMMARY:Dental Hygiene Program
DESCRIPTION:HEALTH  SCIENCE  DIVISION  COUNSELING INFORMATION  WORKSHOP  SERIES – SUMMER 2017 & FALL 2017 \nPlease go to http://cypresscollegehealthscienceworkshops.eventbrite.com/ to make a reservation for a specific workshop.  Attendees will need to print the ticket or present the receipt from their cell phone (instead of printing the receipt/ticket) to be admitted to the workshop. Reservations are required for all workshops. The reservation period is 9/5/17 through 10/4/17. \nThe Dental Hygiene Program workshop takes place in Tech Ed 3\, Room 222. \nParking lot 4 is closest to the Tech Ed 3 building. Parking lot 9 is closest to the Humanities Lecture Hall 131. NOTE: Cypress College is now using an online parking management system for parking arrangements.  Go to  http://parking.cypresscollege.edu and click on visitor (1 day guest pass). You must enter your vehicle license plate number\, state\, make\, model\, color\, your name\, your phone number\,  your email address\, purpose for visit\, and date of visit. Parking costs $2.00 (using credit or debit card for payment\, no cash excepted) for a guest pass to park for any workshop.  There are also parking kiosks in lot 1\, lot 4\, and on the cypress college circle\, near baseball fields – across from lot 5.  Credit and debit cards only; no cash accepted. \nSee the Health Science office for questions at (714) 484-7270.  After business hours\, contact Campus Safety for questions at (714) 484-8367.
URL:https://www.cypresscollege.edu/event/dental-hygiene-program/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Health Science,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171004T180000
DTEND;TZID=America/Los_Angeles:20171004T180000
DTSTAMP:20260803T115323
CREATED:20170815T234822Z
LAST-MODIFIED:20170815T234822Z
UID:10006483-1507140000-1507140000@www.cypresscollege.edu
SUMMARY:Women's Volleyball vs. Riverside
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-volleyball-vs-riverside/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-volleyball.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T090000
DTEND;TZID=America/Los_Angeles:20171005T120000
DTSTAMP:20260803T115323
CREATED:20170830T181135Z
LAST-MODIFIED:20170830T181135Z
UID:10006638-1507194000-1507204800@www.cypresscollege.edu
SUMMARY:DeVry University Table Visits
DESCRIPTION:No appointment necessary. The table visit will take place in front of CCCPLX. \nCypress College Transfer Center\n2nd Floor Student Center\n(714) 484-7129\nOffice Hours: Monday & Thursday 8 a.m. – 6 p.m.\,\nTuesday & Wednesday 8 a.m. – 7 p.m.\, Friday 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/devry-university-table-visits/2017-10-05/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T090000
DTEND;TZID=America/Los_Angeles:20171005T190000
DTSTAMP:20260803T115323
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006668-1507194000-1507230000@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-05/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T100000
DTEND;TZID=America/Los_Angeles:20171005T120000
DTSTAMP:20260803T115323
CREATED:20170926T160501Z
LAST-MODIFIED:20170926T160512Z
UID:10006805-1507197600-1507204800@www.cypresscollege.edu
SUMMARY:UC Santa Cruz Advisor Appointment
DESCRIPTION:Appointments are held in the Transfer Center. You may sign up one month in advance. \nCypress College Transfer Center\n2nd Floor Student Center\n(714) 484-7129\nOffice Hours: Mon & Thurs 8 am – 6 pm\,\nTues & Wed 8 am – 7 pm\, Fri 8 am – 5 pm
URL:https://www.cypresscollege.edu/event/uc-santa-cruz/
LOCATION:Transfer Center
CATEGORIES:Transfer Center
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T100000
DTEND;TZID=America/Los_Angeles:20171005T140000
DTSTAMP:20260803T115323
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006601-1507197600-1507212000@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-05/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T100000
DTEND;TZID=America/Los_Angeles:20171005T160000
DTSTAMP:20260803T115323
CREATED:20170829T163626Z
LAST-MODIFIED:20170927T225629Z
UID:10006531-1507197600-1507219200@www.cypresscollege.edu
SUMMARY:Blood Drive
DESCRIPTION:Associated Students has teamed up with Cedars-Sinai to give students the opportunity to save lives! Come donate a pint of blood and receive a free t-shirt or coupon for Baskin Robbins ice cream.
URL:https://www.cypresscollege.edu/event/blood-drive-2/2017-10-05/
LOCATION:CA
CATEGORIES:Associated Students
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/Blood-Drive-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T110000
DTEND;TZID=America/Los_Angeles:20171005T130000
DTSTAMP:20260803T115323
CREATED:20171003T221544Z
LAST-MODIFIED:20171003T222228Z
UID:10006815-1507201200-1507208400@www.cypresscollege.edu
SUMMARY:Group Counseling
DESCRIPTION:Following the shooting in Las Vegas\, we are offering drop-in group counseling on Thursday\, October 5\, in CCCPLX 414 from 11 a.m. to 1 p.m. We invite anyone who needs to talk to a counselor or is feeling overwhelmed and/or distressed to please come. All are welcome.
URL:https://www.cypresscollege.edu/event/group-counseling/
LOCATION:CA
CATEGORIES:Health Center
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T120000
DTEND;TZID=America/Los_Angeles:20171005T130000
DTSTAMP:20260803T115323
CREATED:20170925T192432Z
LAST-MODIFIED:20170925T192432Z
UID:10006793-1507204800-1507208400@www.cypresscollege.edu
SUMMARY:Cypress Bistro
DESCRIPTION:Cypress Bistro is a Cypress College student-operated restaurant. Students combine their classroom knowledge with hands-on experience to provide trending cuisine and outstanding service. \nSouthern\nSeptember 28 \nLouisiana\nOctober 5 \nTexas Buffet\nOctober 12 \nOktoberfest\nOctober 26 \nCalifornia\nNovember 2 \nPacific Northwest\nNovember 9 \nHawaii\nNovember 16 \nPhilippines\nNovember 30 \nMediterranean\nDecember 7 \nLunch is served from 12:00 to 1:00 PM\, last seating is at 12:15\, and consists of a three course meal and includes choice of appetizer\, entrée and dessert for $13.00; beverages are an additional $2.00. Cypress Bistro accepts cash only. \nTo create the optimal learning environment for student success\, we prefer parties not larger than 4 guests and do not accommodate to go orders. For reservations\, please email your full name and phone number to Tracey Heine\, theine@nocccd.edu  If your plans change\, please cancel within 24 hours to allow guests on our wait list to enjoy. \nLocated at NOCCCD Anaheim Campus 1830 W. Romneya Drive\, Anaheim.
URL:https://www.cypresscollege.edu/event/cypress-bistro/2017-10-05/
LOCATION:CA
CATEGORIES:Cypress Bistro
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T130000
DTEND;TZID=America/Los_Angeles:20171005T130000
DTSTAMP:20260803T115323
CREATED:20170605T170557Z
LAST-MODIFIED:20170831T222033Z
UID:10006354-1507208400-1507208400@www.cypresscollege.edu
SUMMARY:Psychiatric Technology Program
DESCRIPTION:HEALTH SCIENCE DIVISION COUNSELING INFORMATION WORKSHOP SERIES – SUMMER 2017 & FALL 2017 \nPlease go to http://cypresscollegehealthscienceworkshops.eventbrite.com/ to make a reservation for a specific workshop. Attendees will need to print the ticket or present the receipt from their cell phone (instead of printing the receipt/ticket) to be admitted to the workshop. Reservations are required for all workshops. The reservation period is 9/8/17 through 10/5/17. \nThe Psychiatric Technology Program workshop takes place in Tech Ed 3\, Room 317. \nParking lot 4 is closest to the Tech Ed 3 building. Parking lot 9 is closest to the Humanities Lecture Hall 131. NOTE: Cypress College is now using an online parking management system for parking arrangements. Go to http://parking.cypresscollege.edu and click on visitor (1 day guest pass). You must enter your vehicle license plate number\, state\, make\, model\, color\, your name\, your phone number\, your email address\, purpose for visit\, and date of visit. Parking costs $2.00 (using credit or debit card for payment\, no cash excepted) for a guest pass to park for any workshop. There are also parking kiosks in lot 1\, lot 4\, and on the cypress college circle\, near baseball fields – across from lot 5. Credit and debit cards only; no cash accepted. \nSee the Health Science office for questions at (714) 484-7270. After business hours\, contact Campus Safety for questions at (714) 484-8367.
URL:https://www.cypresscollege.edu/event/psychiatric-technology-program-2/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Health Science,Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171005T133000
DTEND;TZID=America/Los_Angeles:20171005T143000
DTSTAMP:20260803T115323
CREATED:20170915T165647Z
LAST-MODIFIED:20170915T165647Z
UID:10006705-1507210200-1507213800@www.cypresscollege.edu
SUMMARY:CSU Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/csu-application-workshops/2017-10-05/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171006T090000
DTEND;TZID=America/Los_Angeles:20171006T190000
DTSTAMP:20260803T115323
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006669-1507280400-1507316400@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-06/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171006T100000
DTEND;TZID=America/Los_Angeles:20171006T140000
DTSTAMP:20260803T115323
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006602-1507284000-1507298400@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-06/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
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GEO:33.8280924;-118.0252758
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