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DTSTART;TZID=America/Los_Angeles:20171019T090000
DTEND;TZID=America/Los_Angeles:20171019T190000
DTSTAMP:20260803T115233
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006678-1508403600-1508439600@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-19/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171019T100000
DTEND;TZID=America/Los_Angeles:20171019T140000
DTSTAMP:20260803T115233
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006611-1508407200-1508421600@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-19/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
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GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171019T101900
DTEND;TZID=America/Los_Angeles:20171019T101900
DTSTAMP:20260803T115233
CREATED:20171019T160527Z
LAST-MODIFIED:20171019T160527Z
UID:10006835-1508408340-1508408340@www.cypresscollege.edu
SUMMARY:The Great California ShakeOut Drill
DESCRIPTION:Cypress College participates in the Great California ShakeOut today\, October 19\, at 10:19 a.m. To see the live YouTube feed and drill instructions\, please visit http://www.cypresscollege.edu/drills/.
URL:https://www.cypresscollege.edu/event/the-great-california-shakeout-drill/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171019T120000
DTEND;TZID=America/Los_Angeles:20171019T130000
DTSTAMP:20260803T115233
CREATED:20170925T192432Z
LAST-MODIFIED:20170925T192432Z
UID:10006795-1508414400-1508418000@www.cypresscollege.edu
SUMMARY:Cypress Bistro
DESCRIPTION:Cypress Bistro is a Cypress College student-operated restaurant. Students combine their classroom knowledge with hands-on experience to provide trending cuisine and outstanding service. \nSouthern\nSeptember 28 \nLouisiana\nOctober 5 \nTexas Buffet\nOctober 12 \nOktoberfest\nOctober 26 \nCalifornia\nNovember 2 \nPacific Northwest\nNovember 9 \nHawaii\nNovember 16 \nPhilippines\nNovember 30 \nMediterranean\nDecember 7 \nLunch is served from 12:00 to 1:00 PM\, last seating is at 12:15\, and consists of a three course meal and includes choice of appetizer\, entrée and dessert for $13.00; beverages are an additional $2.00. Cypress Bistro accepts cash only. \nTo create the optimal learning environment for student success\, we prefer parties not larger than 4 guests and do not accommodate to go orders. For reservations\, please email your full name and phone number to Tracey Heine\, theine@nocccd.edu  If your plans change\, please cancel within 24 hours to allow guests on our wait list to enjoy. \nLocated at NOCCCD Anaheim Campus 1830 W. Romneya Drive\, Anaheim.
URL:https://www.cypresscollege.edu/event/cypress-bistro/2017-10-19/
LOCATION:CA
CATEGORIES:Cypress Bistro
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/appetizer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171019T140000
DTEND;TZID=America/Los_Angeles:20171019T180000
DTSTAMP:20260803T115233
CREATED:20170817T154500Z
LAST-MODIFIED:20170824T030413Z
UID:10006275-1508421600-1508436000@www.cypresscollege.edu
SUMMARY:FAFSA Workshop
DESCRIPTION:The Financial Aid Office will be hosting several one-on-one FAFSA/Dream Act workshops this semester. These workshops are designed to help students and/or parents completing and submitting the 2018-19 FAFSA/Dream Act application before the March 2nd deadline. As you all know\, submitting the FAFSA/Dream Act application before the deadline is required for all students if they want to gain access to Federal and/or State financial assistance to pay for college. \nThe students and/or parents can walk in anytime during the drop-in hours with no appointment needed. \nLocation:\nLearning Resource Center\, Room 130 \nWhat to Bring:\nDependent Student:\n\nYour and your parent(s) 2015 Tax Returns & 2015 W2s and/or 1099s\nFSA ID login information (you may create one at fsaid.ed.gov)\nStudent ID card\n\nIndependent Student:\n\nYour (and spouse’s\, if married) 2015 Tax Return & 2015 W2s and/or 1099s\nFSA ID login information (you may create one at fsaid.ed.gov)\nStudent ID card
URL:https://www.cypresscollege.edu/event/fafsa-workshop-2/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Financial Aid,Workshop
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171020T090000
DTEND;TZID=America/Los_Angeles:20171020T190000
DTSTAMP:20260803T115233
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006679-1508490000-1508526000@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-20/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171020T100000
DTEND;TZID=America/Los_Angeles:20171020T110000
DTSTAMP:20260803T115233
CREATED:20170915T165647Z
LAST-MODIFIED:20170915T165647Z
UID:10006707-1508493600-1508497200@www.cypresscollege.edu
SUMMARY:CSU Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/csu-application-workshops/2017-10-20/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171020T100000
DTEND;TZID=America/Los_Angeles:20171020T140000
DTSTAMP:20260803T115233
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006612-1508493600-1508508000@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-20/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171020T130000
DTEND;TZID=America/Los_Angeles:20171020T140000
DTSTAMP:20260803T115233
CREATED:20171006T190748Z
LAST-MODIFIED:20171006T190748Z
UID:10006828-1508504400-1508508000@www.cypresscollege.edu
SUMMARY:The Glories of Ancient Greece
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/the-glories-of-ancient-greece/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Instruction
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/David-Halahmy-Ancient-Greece-10-20-17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171020T193000
DTEND;TZID=America/Los_Angeles:20171020T193000
DTSTAMP:20260803T115233
CREATED:20170828T193214Z
LAST-MODIFIED:20171006T193307Z
UID:10006519-1508527800-1508527800@www.cypresscollege.edu
SUMMARY:Oliver Twist
DESCRIPTION:Neil Bartlett brings Dickens’s moving story of the precarious survival of innocence and goodness in a fiendish\, fallen world to thrilling dramatic life. And the piece’s overriding motif — Oliver’s desperate search for the family he never had — is deeply affecting. \nThe performances take place in Campus Theater.
URL:https://www.cypresscollege.edu/event/oliver-twist/2017-10-20/
LOCATION:CA
CATEGORIES:Theater & Dance
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/oliver-twist-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171021T193000
DTEND;TZID=America/Los_Angeles:20171021T193000
DTSTAMP:20260803T115233
CREATED:20170828T193214Z
LAST-MODIFIED:20171006T193307Z
UID:10006520-1508614200-1508614200@www.cypresscollege.edu
SUMMARY:Oliver Twist
DESCRIPTION:Neil Bartlett brings Dickens’s moving story of the precarious survival of innocence and goodness in a fiendish\, fallen world to thrilling dramatic life. And the piece’s overriding motif — Oliver’s desperate search for the family he never had — is deeply affecting. \nThe performances take place in Campus Theater.
URL:https://www.cypresscollege.edu/event/oliver-twist/2017-10-21/
LOCATION:CA
CATEGORIES:Theater & Dance
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/oliver-twist-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171022T160000
DTEND;TZID=America/Los_Angeles:20171022T170000
DTSTAMP:20260803T115233
CREATED:20170828T193214Z
LAST-MODIFIED:20171006T193307Z
UID:10006521-1508688000-1508691600@www.cypresscollege.edu
SUMMARY:Oliver Twist
DESCRIPTION:Neil Bartlett brings Dickens’s moving story of the precarious survival of innocence and goodness in a fiendish\, fallen world to thrilling dramatic life. And the piece’s overriding motif — Oliver’s desperate search for the family he never had — is deeply affecting. \nThe performances take place in Campus Theater.
URL:https://www.cypresscollege.edu/event/oliver-twist/2017-10-22/
LOCATION:CA
CATEGORIES:Theater & Dance
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/oliver-twist-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171023T090000
DTEND;TZID=America/Los_Angeles:20171023T120000
DTSTAMP:20260803T115233
CREATED:20170926T204719Z
LAST-MODIFIED:20170926T204719Z
UID:10006812-1508749200-1508760000@www.cypresscollege.edu
SUMMARY:Vanguard University Table Visit
DESCRIPTION:No appointment necessary. \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: Monday & Thursday 8 a.m.-6 p.m.\, Tuesday & Wednesday 8 a.m.-7 p.m.\, Friday 8 a.m.-5 p.m. \nThe event is happening in front of CCCPLX.
URL:https://www.cypresscollege.edu/event/vanguard-university-table-visit/2017-10-23/
LOCATION:CA
CATEGORIES:Transfer Center,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171023T090000
DTEND;TZID=America/Los_Angeles:20171023T150000
DTSTAMP:20260803T115233
CREATED:20170719T200900Z
LAST-MODIFIED:20170824T030404Z
UID:10006201-1508749200-1508770800@www.cypresscollege.edu
SUMMARY:UCLA Advisor Appointment
DESCRIPTION:You may sign-up 30 days in advance. Appointments will be held in the Transfer Center. \nAvailable dates:\nOct. 23rd (Mon) 9am-3pm\nNov. 13th (Mon) 9am-3pm\nNov. 27th (Mon) 9am-3pm\nDec. 5th (Tues) 9am-3pm \nFor more information:\nCypress College Transfer Center\n2nd Floor Student Center\, (714) 484-7129\nOffice Hours: Mon & Thurs 8 a.m. – 6 p.m.\, Tues & Wed 8 a.m. – 7 p.m.\, Fri 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/ucla-advisor-appointment-2/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171023T090000
DTEND;TZID=America/Los_Angeles:20171023T190000
DTSTAMP:20260803T115233
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006680-1508749200-1508785200@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-23/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171023T100000
DTEND;TZID=America/Los_Angeles:20171023T140000
DTSTAMP:20260803T115233
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006613-1508752800-1508767200@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-23/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171023T173000
DTEND;TZID=America/Los_Angeles:20171023T173000
DTSTAMP:20260803T115233
CREATED:20170605T204644Z
LAST-MODIFIED:20170824T030354Z
UID:10006371-1508779800-1508779800@www.cypresscollege.edu
SUMMARY:Mortuary Science Program
DESCRIPTION:HEALTH  SCIENCE  DIVISION  COUNSELING INFORMATION  WORKSHOP  SERIES – SUMMER 2017 & FALL 2017 \nPlease go to http://cypresscollegehealthscienceworkshops.eventbrite.com/ to make a reservation for a specific workshop.  Attendees will need to print the ticket or present the receipt from their cell phone (instead of printing the receipt/ticket) to be admitted to the workshop. Reservations are required for all workshops. The reservation period is 9/25/17 through 10/23/17. \nThe Mortuary Science Program workshop takes place in Tech Ed 3\, Room 222. \nParking lot 4 is closest to the Tech Ed 3 building. Parking lot 9 is closest to the Humanities Lecture Hall 131. NOTE: Cypress College is now using an online parking management system for parking arrangements.  Go to  http://parking.cypresscollege.edu and click on visitor (1 day guest pass). You must enter your vehicle license plate number\, state\, make\, model\, color\, your name\, your phone number\,  your email address\, purpose for visit\, and date of visit. Parking costs $2.00 (using credit or debit card for payment\, no cash excepted) for a guest pass to park for any workshop.  There are also parking kiosks in lot 1\, lot 4\, and on the cypress college circle\, near baseball fields – across from lot 5.  Credit and debit cards only; no cash accepted. \nSee the Health Science office for questions at (714) 484-7270.  After business hours\, contact Campus Safety for questions at (714) 484-8367.
URL:https://www.cypresscollege.edu/event/mortuary-science-program-2/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Health Science,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171024T090000
DTEND;TZID=America/Los_Angeles:20171024T190000
DTSTAMP:20260803T115233
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006681-1508835600-1508871600@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-24/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171024T093000
DTEND;TZID=America/Los_Angeles:20171024T140000
DTSTAMP:20260803T115233
CREATED:20170830T175855Z
LAST-MODIFIED:20170830T175855Z
UID:10006633-1508837400-1508853600@www.cypresscollege.edu
SUMMARY:UC Irvine Advisor Appointments
DESCRIPTION:You may sign up 30 days in advance. Appointments will be held in the Transfer Center. \nCypress College Transfer Center\n2nd Floor Student Center\n(714) 484-7129\nOffice Hours: Monday & Thursday 8 a.m. – 6 p.m.\,\nTuesday & Wednesday 8 a.m. – 7 p.m.\, Friday 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/uc-irvine-advisor-appointments/2017-10-24/
LOCATION:Transfer Center
CATEGORIES:Transfer Center
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171024T100000
DTEND;TZID=America/Los_Angeles:20171024T140000
DTSTAMP:20260803T115233
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006614-1508839200-1508853600@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-24/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171024T133000
DTEND;TZID=America/Los_Angeles:20171024T143000
DTSTAMP:20260803T115233
CREATED:20170915T170138Z
LAST-MODIFIED:20170915T170138Z
UID:10006722-1508851800-1508855400@www.cypresscollege.edu
SUMMARY:UC Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/uc-application-workshops/2017-10-24/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171024T150000
DTEND;TZID=America/Los_Angeles:20171024T150000
DTSTAMP:20260803T115233
CREATED:20170815T233301Z
LAST-MODIFIED:20170815T233301Z
UID:10006472-1508857200-1508857200@www.cypresscollege.edu
SUMMARY:Women's Soccer vs. Santiago Canyon
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-soccer-vs-santiago-canyon/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-soccer.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T090000
DTEND;TZID=America/Los_Angeles:20171025T190000
DTSTAMP:20260803T115233
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006682-1508922000-1508958000@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-10-25/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T100000
DTEND;TZID=America/Los_Angeles:20171025T130000
DTSTAMP:20260803T115233
CREATED:20170719T203258Z
LAST-MODIFIED:20170824T030342Z
UID:10006414-1508925600-1508936400@www.cypresscollege.edu
SUMMARY:Hope International University Table Visit
DESCRIPTION:The table visits will take place in front of CCCPLX. No appointment is necessary. \nAvailable Dates:\nWed\, 10/25 10:00 am-1:00 pm\nWed\, 11/8 10:00 am-1:00 pm\nWed\, 12/6 10:00 am-1:00 pm \nFor more information:\nCypress College Transfer Center\n2nd Floor Student Center\, (714) 484-7129\nOffice Hours: Mon & Thurs 8 a.m. – 6 p.m.\, Tues & Wed 8 a.m. – 7 p.m.\, Fri 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/hope-international-university-table-visit-3/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T100000
DTEND;TZID=America/Los_Angeles:20171025T140000
DTSTAMP:20260803T115233
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006615-1508925600-1508940000@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-10-25/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T120000
DTEND;TZID=America/Los_Angeles:20171025T130000
DTSTAMP:20260803T115233
CREATED:20170915T165647Z
LAST-MODIFIED:20170915T165647Z
UID:10006708-1508932800-1508936400@www.cypresscollege.edu
SUMMARY:CSU Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/csu-application-workshops/2017-10-25/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T140000
DTEND;TZID=America/Los_Angeles:20171025T150000
DTSTAMP:20260803T115233
CREATED:20170918T183024Z
LAST-MODIFIED:20170918T183024Z
UID:10006788-1508940000-1508943600@www.cypresscollege.edu
SUMMARY:Artists Lectures
DESCRIPTION:The Cypress College Art Gallery will host weekly events on Wednesdays\, from 2-3 p.m.\, throughout the run of the DIS…MISS exhibition (Sept 14-Nov 9\, 2017). These events will include workshops\, performances\, panel discussions\, readings\, and artist lectures addressing a variety of issues related to gender inequality. They will be hosted by students and faculty from a variety of programs\, clubs\, and departments across campus. \nLocation: Cypress College Art Gallery
URL:https://www.cypresscollege.edu/event/artists-lectures/
LOCATION:CA
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T140000
DTEND;TZID=America/Los_Angeles:20171025T153000
DTSTAMP:20260803T115233
CREATED:20170801T152421Z
LAST-MODIFIED:20170824T030331Z
UID:10006424-1508940000-1508945400@www.cypresscollege.edu
SUMMARY:Federal Direct Loan Workshop
DESCRIPTION:Students who request Federal Direct Loans (Subsidized and Unsubsidized) at Cypress College must meet the loan eligibility and satisfactory academic progress (SAP) requirements established by the Financial Aid Office. \nLoan Eligibility Policy \nSatisfactory Academic Progress (SAP) Policy \nSign up for an in-person Loan Workshop!\nSignups must be done at least 24 hours in advance and in-person at the Cypress College Financial Aid Office (1st Floor of the CCCPLX Building). You must bring a picture ID with you. Cypress College strongly encourages all borrowers to attend. \nPlan to arrive 10 minutes early to sign in.
URL:https://www.cypresscollege.edu/event/federal-direct-loan-workshop-6/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Financial Aid,Workshop
GEO:33.8280924;-118.0252758
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171025T180000
DTEND;TZID=America/Los_Angeles:20171025T180000
DTSTAMP:20260803T115233
CREATED:20170815T235908Z
LAST-MODIFIED:20170815T235908Z
UID:10006487-1508954400-1508954400@www.cypresscollege.edu
SUMMARY:Women's Volleyball vs. Orange Coast
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-volleyball-vs-orange-coast/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
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GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171026T090000
DTEND;TZID=America/Los_Angeles:20171026T120000
DTSTAMP:20260803T115233
CREATED:20170719T202850Z
LAST-MODIFIED:20170824T030322Z
UID:10006409-1509008400-1509019200@www.cypresscollege.edu
SUMMARY:CSUF Advisor Appointment
DESCRIPTION:These advisor appointments are for students seeking a career in teaching K-12. You may sign up 30 days in advance. Appointments will be held in the Transfer Center. \nAvailable Dates:\nThurs. 10/26 9 a.m.— 12 p.m.\nWed. 11/22 9 a.m.— 12 p.m. \nFor more information:\nCypress College Transfer Center\n2nd Floor Student Center\, (714) 484-7129\nOffice Hours: Mon & Thurs 8 a.m. – 6 p.m.\, Tues & Wed 8 a.m. – 7 p.m.\, Fri 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/csuf-advisor-appointment-3/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
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END:VEVENT
END:VCALENDAR