BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Cypress College - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.cypresscollege.edu
X-WR-CALDESC:Events for Cypress College
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20160313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20161106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20170312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20171105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20180311T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20181104T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171030
DTEND;VALUE=DATE:20171104
DTSTAMP:20260803T091422
CREATED:20170829T170929Z
LAST-MODIFIED:20171026T191822Z
UID:10006584-1509321600-1509753599@www.cypresscollege.edu
SUMMARY:Transfer Awareness Week
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/transfer-awareness-week/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/Fall-2017-Transfer-Awareness-Week-Flyer.jpg
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171101
DTEND;VALUE=DATE:20171102
DTSTAMP:20260803T091422
CREATED:20170829T164336Z
LAST-MODIFIED:20170829T170025Z
UID:10006535-1509494400-1509580799@www.cypresscollege.edu
SUMMARY:Food Collection for Baskets
DESCRIPTION:AS members set out Big decorated boxes all over campus in hope to get donations for their annual  Thanksgiving baskets. One can nominate a person in need of a basket in the Student Activities room.
URL:https://www.cypresscollege.edu/event/food-collection-for-baskets/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Associated Students
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171101
DTEND;VALUE=DATE:20171118
DTSTAMP:20260803T091422
CREATED:20171109T233142Z
LAST-MODIFIED:20171109T233142Z
UID:10006841-1509494400-1510963199@www.cypresscollege.edu
SUMMARY:Operation Care Package
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/operation-care-package/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Clubs
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/Copy-of-Fall-Festival-Flyer-1.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171101T090000
DTEND;TZID=America/Los_Angeles:20171101T190000
DTSTAMP:20260803T091422
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006687-1509526800-1509562800@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-11-01/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171101T100000
DTEND;TZID=America/Los_Angeles:20171101T140000
DTSTAMP:20260803T091422
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006620-1509530400-1509544800@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-11-01/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171101T140000
DTEND;TZID=America/Los_Angeles:20171101T150000
DTSTAMP:20260803T091422
CREATED:20170918T183117Z
LAST-MODIFIED:20170918T183117Z
UID:10006789-1509544800-1509548400@www.cypresscollege.edu
SUMMARY:English Department Poetry Reading
DESCRIPTION:The Cypress College Art Gallery will host weekly events on Wednesdays\, from 2-3 p.m.\, throughout the run of the DIS…MISS exhibition (Sept 14-Nov 9\, 2017). These events will include workshops\, performances\, panel discussions\, readings\, and artist lectures addressing a variety of issues related to gender inequality. They will be hosted by students and faculty from a variety of programs\, clubs\, and departments across campus. \nLocation: Cypress College Art Gallery
URL:https://www.cypresscollege.edu/event/english-department-poetry-reading/
LOCATION:CA
CATEGORIES:Art,Readings
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T090000
DTEND;TZID=America/Los_Angeles:20171102T190000
DTSTAMP:20260803T091422
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006688-1509613200-1509649200@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-11-02/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T100000
DTEND;TZID=America/Los_Angeles:20171102T130000
DTSTAMP:20260803T091422
CREATED:20170829T170642Z
LAST-MODIFIED:20171031T184127Z
UID:10006576-1509616800-1509627600@www.cypresscollege.edu
SUMMARY:Transfer & Pre-Graduation Fair
DESCRIPTION:Location: under the Piazza near CCCPLX and Theater Arts building \nPrizes and FREE FOOD! \nOver 40 universities and colleges will be attending\, including CSUs\, UCs\, private colleges and universities\, and out-of-state colleges and universities. \nAt the fair\, you can: \n\nApply for graduation\n\nCounselors will be available to assist with your graduation application\n\n\nReceive important graduation information\nOrder your cap and gown
URL:https://www.cypresscollege.edu/event/transfer-fair-2/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/TPGFair-Slides_Artboard-3.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T100000
DTEND;TZID=America/Los_Angeles:20171102T140000
DTSTAMP:20260803T091422
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006621-1509616800-1509631200@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-11-02/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T120000
DTEND;TZID=America/Los_Angeles:20171102T130000
DTSTAMP:20260803T091422
CREATED:20170925T192432Z
LAST-MODIFIED:20170925T192432Z
UID:10006797-1509624000-1509627600@www.cypresscollege.edu
SUMMARY:Cypress Bistro
DESCRIPTION:Cypress Bistro is a Cypress College student-operated restaurant. Students combine their classroom knowledge with hands-on experience to provide trending cuisine and outstanding service. \nSouthern\nSeptember 28 \nLouisiana\nOctober 5 \nTexas Buffet\nOctober 12 \nOktoberfest\nOctober 26 \nCalifornia\nNovember 2 \nPacific Northwest\nNovember 9 \nHawaii\nNovember 16 \nPhilippines\nNovember 30 \nMediterranean\nDecember 7 \nLunch is served from 12:00 to 1:00 PM\, last seating is at 12:15\, and consists of a three course meal and includes choice of appetizer\, entrée and dessert for $13.00; beverages are an additional $2.00. Cypress Bistro accepts cash only. \nTo create the optimal learning environment for student success\, we prefer parties not larger than 4 guests and do not accommodate to go orders. For reservations\, please email your full name and phone number to Tracey Heine\, theine@nocccd.edu  If your plans change\, please cancel within 24 hours to allow guests on our wait list to enjoy. \nLocated at NOCCCD Anaheim Campus 1830 W. Romneya Drive\, Anaheim.
URL:https://www.cypresscollege.edu/event/cypress-bistro/2017-11-02/
LOCATION:CA
CATEGORIES:Cypress Bistro
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/appetizer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T130000
DTEND;TZID=America/Los_Angeles:20171102T150000
DTSTAMP:20260803T091422
CREATED:20170926T160034Z
LAST-MODIFIED:20170926T160047Z
UID:10006803-1509627600-1509634800@www.cypresscollege.edu
SUMMARY:Chapman University Advisor Appointment
DESCRIPTION:Appointments are held in the Transfer Center. You may sign up one month in advance. \nCypress College Transfer Center\n2nd Floor Student Center\n(714) 484-7129\nOffice Hours: Mon & Thurs 8 am – 6 pm\,\nTues & Wed 8 am – 7 pm\, Fri 8 am – 5 pm
URL:https://www.cypresscollege.edu/event/chapman-university-advisor-appointment/
LOCATION:Transfer Center
CATEGORIES:Transfer Center
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T133000
DTEND;TZID=America/Los_Angeles:20171102T143000
DTSTAMP:20260803T091422
CREATED:20170915T170138Z
LAST-MODIFIED:20170915T170138Z
UID:10006723-1509629400-1509633000@www.cypresscollege.edu
SUMMARY:UC Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/uc-application-workshops/2017-11-02/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171102T133000
DTEND;TZID=America/Los_Angeles:20171102T143000
DTSTAMP:20260803T091422
CREATED:20170926T204302Z
LAST-MODIFIED:20170926T204545Z
UID:10006810-1509629400-1509633000@www.cypresscollege.edu
SUMMARY:Transferring to USC Workshop
DESCRIPTION:You may sign up 30 days in advance. Seating is limited. To sign up\, visit www.CypressCollegeTransferCenterWorkshops.eventbrite.com. \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: Monday & Thursday 8 a.m.-6 p.m.\, Tuesday & Wednesday 8 a.m.-7 p.m.\, Friday 8 a.m.-5 p.m. \nThe event is happening in CCCPLX 405.
URL:https://www.cypresscollege.edu/event/transferring-to-usc-workshop/
LOCATION:CA
CATEGORIES:Transfer Center,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171103T090000
DTEND;TZID=America/Los_Angeles:20171103T120000
DTSTAMP:20260803T091422
CREATED:20170830T181135Z
LAST-MODIFIED:20170830T181135Z
UID:10006640-1509699600-1509710400@www.cypresscollege.edu
SUMMARY:DeVry University Table Visits
DESCRIPTION:No appointment necessary. The table visit will take place in front of CCCPLX. \nCypress College Transfer Center\n2nd Floor Student Center\n(714) 484-7129\nOffice Hours: Monday & Thursday 8 a.m. – 6 p.m.\,\nTuesday & Wednesday 8 a.m. – 7 p.m.\, Friday 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/devry-university-table-visits/2017-11-03/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171103T090000
DTEND;TZID=America/Los_Angeles:20171103T190000
DTSTAMP:20260803T091422
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006689-1509699600-1509735600@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-11-03/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171103T100000
DTEND;TZID=America/Los_Angeles:20171103T140000
DTSTAMP:20260803T091422
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006622-1509703200-1509717600@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-11-03/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171103T150000
DTEND;TZID=America/Los_Angeles:20171103T150000
DTSTAMP:20260803T091422
CREATED:20170815T233514Z
LAST-MODIFIED:20170815T233514Z
UID:10006474-1509721200-1509721200@www.cypresscollege.edu
SUMMARY:Women's Soccer vs. Orange Coast
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/womens-soccer-vs-orange-coast/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Athletics
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/womens-soccer.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171106T090000
DTEND;TZID=America/Los_Angeles:20171106T190000
DTSTAMP:20260803T091422
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006690-1509958800-1509994800@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-11-06/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171106T100000
DTEND;TZID=America/Los_Angeles:20171106T140000
DTSTAMP:20260803T091422
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006623-1509962400-1509976800@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-11-06/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171106T120000
DTEND;TZID=America/Los_Angeles:20171106T150000
DTSTAMP:20260803T091422
CREATED:20170817T153423Z
LAST-MODIFIED:20170824T030237Z
UID:10006263-1509969600-1509980400@www.cypresscollege.edu
SUMMARY:UCI Advisor Appointments
DESCRIPTION:The UCI CalTeach advisor appointments are for future math and science teachers only. \nAppointments will be held in the Transfer Center. You may sign up 30 days in advance. \nTransfer Center\n2nd Floor Student Center\n714-484-7129\nOffice hours: Monday & Thursday 8 a.m. – 6 p.m.\, Tuesday & Wednesday 8 a.m. – 7 p.m.\, Friday 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/uci-advisor-appointments-5/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Transfer Center
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171106T160000
DTEND;TZID=America/Los_Angeles:20171106T170000
DTSTAMP:20260803T091422
CREATED:20170915T170138Z
LAST-MODIFIED:20170915T170138Z
UID:10006724-1509984000-1509987600@www.cypresscollege.edu
SUMMARY:UC Application Workshops
DESCRIPTION:You may sign-up 30 days in advance.\nSeating is limited.\nWorkshops will be held in the Transfer Center. \nMust use the link below to sign-up for workshops:\nhttp://CypressCollegeTransferCenterWorkshops.eventbrite.com \nCypress College Transfer Center\, Student Center 2nd Floor\nPhone: (714) 484-7129\nOffice Hours: M & Th 8 a.m.-6 p.m.\,\nT & W 8 a.m.-7 p.m.\, F 8 a.m.-5 p.m.
URL:https://www.cypresscollege.edu/event/uc-application-workshops/2017-11-06/
LOCATION:Transfer Center
CATEGORIES:Transfer Center,Workshop
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171106T160000
DTEND;TZID=America/Los_Angeles:20171106T180000
DTSTAMP:20260803T091422
CREATED:20171012T162406Z
LAST-MODIFIED:20171012T162406Z
UID:10006830-1509984000-1509991200@www.cypresscollege.edu
SUMMARY:Film Screening
DESCRIPTION:Screenings of films calling for peace not conflict over religious matters. \nTo RSVP\, please email Professor Ambika Talwar at atalwar@cypresscollege.edu. \nLocation TBD.
URL:https://www.cypresscollege.edu/event/film-screening/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171106T170000
DTEND;TZID=America/Los_Angeles:20171106T170000
DTSTAMP:20260803T091422
CREATED:20170605T170859Z
LAST-MODIFIED:20170824T030227Z
UID:10006355-1509987600-1509987600@www.cypresscollege.edu
SUMMARY:Dental Assisting Program
DESCRIPTION:HEALTH  SCIENCE  DIVISION  COUNSELING INFORMATION  WORKSHOP  SERIES – SUMMER 2017 & FALL 2017 \nPlease go to http://cypresscollegehealthscienceworkshops.eventbrite.com/ to make a reservation for a specific workshop.  Attendees will need to print the ticket or present the receipt from their cell phone (instead of printing the receipt/ticket) to be admitted to the workshop. Reservations are required for all workshops. The reservation period is 10/9/17 through 11/6/17. \nThe Dental Assisting Program workshop takes place in Tech Ed 3\, Room 302. \nParking lot 4 is closest to the Tech Ed 3 building. Parking lot 9 is closest to the Humanities Lecture Hall 131. NOTE: Cypress College is now using an online parking management system for parking arrangements.  Go to  http://parking.cypresscollege.edu and click on visitor (1 day guest pass). You must enter your vehicle license plate number\, state\, make\, model\, color\, your name\, your phone number\,  your email address\, purpose for visit\, and date of visit. Parking costs $2.00 (using credit or debit card for payment\, no cash excepted) for a guest pass to park for any workshop.  There are also parking kiosks in lot 1\, lot 4\, and on the cypress college circle\, near baseball fields – across from lot 5.  Credit and debit cards only; no cash accepted. \nSee the Health Science office for questions at (714) 484-7270.  After business hours\, contact Campus Safety for questions at (714) 484-8367.
URL:https://www.cypresscollege.edu/event/dental-assisting-program/
LOCATION:9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Health Science,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T090000
DTEND;TZID=America/Los_Angeles:20171107T190000
DTSTAMP:20260803T091422
CREATED:20170912T165559Z
LAST-MODIFIED:20170912T165559Z
UID:10006691-1510045200-1510081200@www.cypresscollege.edu
SUMMARY:Photo Exhibition
DESCRIPTION:FIVE SOLO SHOWS \nSeptember 14 – November 17\, 2017\nThe Edouard de Merlier Photography Gallery\nCypress College \nThis autumn Cypress College is honored to exhibit the works of five\naccomplished female visual artists who utilize\, in their individual\npractices\, radical approaches for create photographic works. As\nphotography pushes forward in the digital space at a rapid speed\, it\nis imperative that the Photography Department share contemporary\nartists who have not succumbed to the motto that\, “Film is Dead.”\nThese artists still use traditional\, “historical” processes such as\npinhole\, lumen prints\, collage\, photograms\, and other alternative\nprocesses but in a new inventive way. Each of these artists use a\nlabor-intensive process-based exploration\, with many of them still\nusing an analog darkroom to develop their prints. These five artists\nexplore current and historical “landscapes” wherein the past affects\nthe current\, the current affects the future\, and the collision between\nthe two create a new history with uncertain consequences. \nIn Ginny Cook’s series Natural Selection\, she cuts out singe\nwords\, lays them out on a table in her studio\, photographs them\,\nand later develops them as silver gelatin prints. Each of these words\nindicates an endangered or extinct flora or fauna\, connecting our\nown mortality with the fragile environment around us. Her use of\nlanguage and word play is rendered completely monochromatic by\nnever sharing any actual plant or animal imagery. Without any visual\ncues to that which these words refer\, the viewer is left questioning\nwhere they stand in relation to these words and what personal\nexperiences are conjured up upon seeing them. Cook hopes to\nexpose our connection to nature\, and these images leave the viewer\nwondering about the larger operations of our day to day life\, and\nways in which these words and phrases affect us. \nAmong this group of artists\, is the newest and first full-time female\nphotography instructor at Cypress College\, Julie Shafer. Often\nworking directly with nature\, Shafer is interested in working in ways\nthat allow the terrain to make it’s own record on the photographic\nsurface. In her series Wait ‘til You See the Devil’s Punchbowl\, Julie\nwent to coastal Louisiana\, and the bayous of the Atchafalaya Basin\nto record the terrain that has been altered by years of mining. Shafer\nhas used a few methods for creating this work; a 4×5 camera and\nfilm records only the red spectrum of light in oil fields\, contaminated\nsinking bayous\, and defunct oil platforms\, and a series of lumen\nprints are a record of a chemical reaction between the silver in the\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nphotographic paper\, the sun\, flora and contamination from cracked oil\nlines that have been in the waters for decades.We are seeing\nsomething the naked eye can’t see\, much like we don’t typically see\nthe ever-changing deviation of the physical landscape. \nKristine Thompson’s series Images Seen to Images Felt also\ninvestigates this idea of social and political history\, however as seen\nthrough the lens of current events. Thompson often watches and\nresearches the images that news systems are displaying and how\nthey are representing photographic imagery to the public. She\nfocuses a lot of her work on death and mourning\, a topic that is\nconstantly streaming to us on contemporary news outlets. She will\ntake her laptop into the darkroom\, hold a silver gelatin piece of paper\ndirectly to the screen\, and allow a transfer to happen from screen to\npaper. In many of the images\, you can still see a sliver of a bar\nindicating where she had paused the broadcast or blurry icons of the\nInternet address bar. While these details are not in every image\, she\nnever attempts to hide that fact that the “original images” were not\nher own. These are stories of and by the public and thus the use of\nthe images is seemingly universal. When installing them within\ngallery spaces\, she groups them together based on both formal and\nemotional connections that may otherwise not have been discussed.\nShe also displays both positive and negative prints\, only suggesting\nfurther how our news is being shared with us and how it affects us\nupon seeing it. \nCarly Steward taking this concept into play in the most hands on\,\nphysical kind of way with her work Pages. Steward takes art history\nbooks and lands on an image that strikes her interest. She will then\ncut around the outside of the image leaving a shape in the frame of\nthe paper. From the cut out shape\, you are able to see the images\nfrom the following pages through the initial cutout. She will then\ncontinue this many layers deep\, perhaps passing on some images or\nonly cutting out a portion of that artist’s painting\, sculpture\, or\ndrawing from the book. When she is complete with the handiwork\nand craft portion of each book that she has dissected\, she will then\nphotograph the object making it whole again. Like Thompson\, she is\nallowing us to see insights of a history lived\, however fragmented\,\nbroken\, or inconclusive it may be. By photographing them at the end\nof the project\, she is trying to present to us a history that has been\npatched together – a history that we may only have gotten bits and\npieces of depending on the person telling the story and that this is\nthe history we are to move forward with. \nBuilding on this idea of the history that we know and the history that\nhas been laid out before us\, Cathy Akers most recent series Open\nHearts\, Open Land explored three current communes here in the\nUnited States. She collaged together historical images with\nphotographs she took while living at\, and\, visiting these communes\nfor this project. The viewer can feel the tension of her splicing\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\ntogether these images\, the past and the present\, as well as the\ntension of her being an outsider in an environment built upon\nrevolutionary zeal and community. Akers admits that while she\nrespects and understands the ideals that these communities were\ncreated upon\, they don’t quite account for the changes within the\ncurrent social and political landscape. \nThe five solo exhibitions will be displayed in the main lobby and\ncorridors of The Edouard de Merlier Photography Gallery\, located\njust outside the Photography Department at Cypress College\,\nbeginning on Thursday\, September 14\, 2017 through November 22.\nThe show will be open Monday-Friday 9am-7pm and is free to both\nstudents and the general public. Parking is available at 9200 Valley\nView Street\, Cypress\, CA 90630 with Lots 1\,2\, or 3 closest to the\nTechnical Education Building 1. You will find the gallery located on\nthe second floor of TE1. \nTo see more from each of these artists\, please visit their websites.\nwww.cathyakers.com\nwww.ginnycook.net\nhttp://julie-shafer.com/home.html\nwww.carlysteward.com\nwww.kristinethompson.com
URL:https://www.cypresscollege.edu/event/photo-exhibition/2017-11-07/
LOCATION:Photography
CATEGORIES:Photography
GEO:33.827402;-118.025489
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T100000
DTEND;TZID=America/Los_Angeles:20171107T113000
DTSTAMP:20260803T091422
CREATED:20170801T152559Z
LAST-MODIFIED:20170824T030214Z
UID:10006425-1510048800-1510054200@www.cypresscollege.edu
SUMMARY:Federal Direct Loan Workshop
DESCRIPTION:Students who request Federal Direct Loans (Subsidized and Unsubsidized) at Cypress College must meet the loan eligibility and satisfactory academic progress (SAP) requirements established by the Financial Aid Office. \nLoan Eligibility Policy \nSatisfactory Academic Progress (SAP) Policy \nSign up for an in-person Loan Workshop!\nSignups must be done at least 24 hours in advance and in-person at the Cypress College Financial Aid Office (1st Floor of the CCCPLX Building). You must bring a picture ID with you. Cypress College strongly encourages all borrowers to attend. \nPlan to arrive 10 minutes early to sign in.
URL:https://www.cypresscollege.edu/event/federal-direct-loan-workshop-7/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Financial Aid,Workshop
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T100000
DTEND;TZID=America/Los_Angeles:20171107T140000
DTSTAMP:20260803T091422
CREATED:20170829T184851Z
LAST-MODIFIED:20170829T185122Z
UID:10006624-1510048800-1510063200@www.cypresscollege.edu
SUMMARY:Cypress College Art Gallery Fall Exhibition
DESCRIPTION:Cypress College Art Gallery\nDIS…MISS\nSeptember 14 – November 9\, 2017\nReception: 6-8pm\, September 14\, 2017\nCurated by Anne Bray\, Director of Freewaves\, Los Angeles\, CA \nDIS…MISS is Cypress College Art Gallery’s first group exhibition that centers on\ntoday’s evolving perceptions of gender and feminism. The exhibition includes\nnuanced imagery and videos\, which confront persistent inequalities and\nstereotypes in our contemporary culture. \nIn addition to the exhibition\, the Cypress College Gallery will host activities every\nWednesday\, 2-3pm\, throughout the run of the exhibition. These will include\nworkshops\, performances\, panel discussions\, readings\, and artist lectures. \nThe gallery is open Monday-Thursday\, 10am-2pm. In addition to individual\nstudent visitors\, classes are welcome to view the exhibition and participate in\nself-guided activities\, workshops\, and lectures. Get up-to-date gallery event info\nat facebook.com/cypresscollegeartgallery and more information about the\nexhibition at freewaves.org. \nContact:\nEd Giardina – egiardina@cypresscollege.edu\nKirk Pickler – kpickler@cypresscollege.edu
URL:https://www.cypresscollege.edu/event/cypress-college-art-gallery-fall-exhibition/2017-11-07/
LOCATION:Cypress College\, 9200 Valley View St.\, Cypress\, CA\, 90630\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://www.cypresscollege.edu/wp-content/uploads/untitled-2.png
GEO:33.8280924;-118.0252758
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cypress College 9200 Valley View St. Cypress CA 90630 United States;X-APPLE-RADIUS=500;X-TITLE=9200 Valley View St.:geo:-118.0252758,33.8280924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T100000
DTEND;TZID=America/Los_Angeles:20171107T153000
DTSTAMP:20260803T091422
CREATED:20170830T175443Z
LAST-MODIFIED:20170830T175443Z
UID:10006630-1510048800-1510068600@www.cypresscollege.edu
SUMMARY:CSUF Advisor Appointments
DESCRIPTION:You may sign up 30 days in advance. Appointments will be held in the Transfer Center. \nCypress College Transfer Center\n2nd Floor Student Center\n(714) 484-7129\nOffice Hours: Monday & Thursday 8 a.m. – 6 p.m.\,\nTuesday & Wednesday 8 a.m. – 7 p.m.\, Friday 8 a.m. – 5 p.m.
URL:https://www.cypresscollege.edu/event/csuf-advisor-appointments/2017-11-07/
LOCATION:Transfer Center
CATEGORIES:Transfer Center
GEO:33.827769;-118.025317
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T120000
DTEND;TZID=America/Los_Angeles:20171107T140000
DTSTAMP:20260803T091422
CREATED:20171012T162557Z
LAST-MODIFIED:20171012T162557Z
UID:10006832-1510056000-1510063200@www.cypresscollege.edu
SUMMARY:Envisioning the New Story
DESCRIPTION:This event will consist of storytelling and poetry and will take place at the Bridge.
URL:https://www.cypresscollege.edu/event/envisioning-the-new-story/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T120000
DTEND;TZID=America/Los_Angeles:20171107T171500
DTSTAMP:20260803T091422
CREATED:20171107T232840Z
LAST-MODIFIED:20171107T232840Z
UID:10006838-1510056000-1510074900@www.cypresscollege.edu
SUMMARY:Peace Event: Paths to a New Story
DESCRIPTION:
URL:https://www.cypresscollege.edu/event/peace-event-paths-to-a-new-story/2017-11-07/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://www.cypresscollege.edu/wp-content/uploads/CA4Peace-Program.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171107T141500
DTEND;TZID=America/Los_Angeles:20171107T153000
DTSTAMP:20260803T091422
CREATED:20171012T162713Z
LAST-MODIFIED:20171012T162713Z
UID:10006833-1510064100-1510068600@www.cypresscollege.edu
SUMMARY:Learning Communities
DESCRIPTION:This event is taking place as part of a series of peace events led by Professor Ambika Talwar. It takes place at the Bridge.
URL:https://www.cypresscollege.edu/event/learning-communities/
LOCATION:CA
END:VEVENT
END:VCALENDAR